12-16-2025, 07:28 PM
The Man Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi
In the summer of 1885, three Frenchmen arrived in London for a few days' intellectual shopping: a prince, a count, and a commoner with an Italian name. In time, each of these men would achieve a certain level of renown, but who were they then and what was the significance of their sojourn to England? Answering these questions, Julian Barnes unfurls the stories of their lives which play out against the backdrop of the Belle Époque in Paris. Our guide through this world is Samuel Pozzi, the society doctor, free-thinker and man of science with a famously complicated private life who was the subject of one of John Singer Sargent's greatest portraits. In this vivid tapestry of people (Henry James, Sarah Bernhardt, Oscar Wilde, Proust, James Whistler, among many others), place, and time, we see not merely an epoch of glamour and pleasure, but, surprisingly, one of violence, prejudice, and nativism—with more parallels to our own age than we might imagine. The Man in the Red Coat is, at once, a fresh portrait of the Belle Époque; an illuminating look at the longstanding exchange of ideas between Britain and France; and a life of a man who lived passionately in the moment but whose ideas and achievements were far ahead of his time.
Quote: At the core of Barnes', The Man in the Red Coat is Dr. Samuel Pozzi, the subject of John Singer Sargent's famous portrait. This isn't, however, the typical biography of an individual. It's a biography of a place, a time, and a society.
The jumping off point is a 1885 trip to London by three Frenchmen for what they termed 'intellectual shopping' (something a dandy would do). One of the members of this trio was Dr. Pozzi. The others were Prince Edmond de Polignac and Count Robert de Montesquiou-Fezensac. So then the question becomes how did this commoner with the Italian name come to make this trip with a prince and a count.
The society during la Belle Epoque in Paris, serves as the foundation of the story Barnes has to tell. The relationships, petty jealousies, duels, and court cases are all included. A cast of characters include many lesser-known individuals, but some major names play a role in the world that the doctor, the prince and count inhabit.
Major literary figures such as Oscar Wilde and Joris-Karl Huysmans (author of A Rebours) appear, along with a fascinating discussion of aestheticism and dandyism. Wilde's trials are discussed in the context of the French vs British court systems. French cases like the Black Masses Scandal involving Baron Fersen (Jacques d'Adelsward-Fersen) who was charged with inciting minors to commit debauchery is briefly noted. A polarizing political issue during this time was the Dreyfus Affair, a blatant example of the anti-Semitism of the time. It's definitely a Who's Who of artists (Sargent, obviously), actresses (Sarah Bernhardt), authors, and society figures of the time period.
In the context of all of this literary and political intrigue was extraordinary progress in medicine and Dr. Pozzi was a the center of it. His experience with doctors such as British surgeon, Joseph Lister, aided Pozzi in improving surgical services in France and particularly in the area of gynecology, his specialty. This is a fascinating time of rapid growth in understanding germ theory and the ways to prevent infection.
All of this makes for a fascinating social history of la Belle Epoque Paris that is as exciting as any work of fiction.