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  The Dreamers (2004)
Posted by: Simon - 12-14-2025, 12:51 PM - Replies (1)

   


Paris in the spring of 1968. The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen. Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed universe of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium. The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in its imagery, The Dreamers (now a major film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

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  A Very Private School: A Memoir (2024)
Posted by: Simon - 12-14-2025, 12:23 PM - Replies (1)

   



“A tour de force.” — The Washington Post

In this poignant memoir, Charles Spencer recounts the trauma of being sent away from home at age eight to attend boarding school.


A Very Private School offers a clear-eyed, first-hand account of a culture of cruelty at the school Charles Spencer attended in his youth and provides important insights into an antiquated boarding system. Drawing on the memories of many of his schoolboy contemporaries, as well as his own letters and diaries from the time, he reflects on the hopelessness and abandonment he felt at aged eight, viscerally describing the intense pain of homesickness and the appalling inescapability of it all. Exploring the long-lasting impact of his experiences, Spencer presents a candid reckoning with his past and a reclamation of his childhood.

Quote: THE #1 SUNDAY TIMES BESTSELLER

“Shocking and moving.” — The Guardian

“A tour de force.” — The Washington Post

At eight years of age, Charles Spencer was sent away to one of England’s most exclusive boarding schools.


In this courageous and beautifully written memoir, Spencer offers a clear-eyed, first-hand account of the strange secrets of the school, and the culture of cruelty and abuse he witnessed and experienced in his five years there as a pupil.

Drawing on the memories of many of his schoolboy contemporaries, as well as his own letters and diaries from the time, the book is his attempt to come to terms with the deep emotional scars inflicted upon him. Spencer reflects on the misery, hopelessness and abandonment he felt aged eight, viscerally describing the intense pain of homesickness, the vicious brutality of a boys’ school in the 1970s and the appalling inescapability of it all.

The book cracks the code of the unpoliced regime that ran the place and provides important insights into an antiquated boarding school system. He gives vivid portraits of the teachers and other staff placed in loco parentis, their casual cruelties and toxic obsessions. All these years later, Spencer’s bafflement at their motivations to inflict such cruelty on young children is palpable. As is his fury that, even if somehow he had spoken up, he’d never have been believed.

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  The Colonel and the Eunuch (2019)
Posted by: Simon - 12-14-2025, 12:19 PM - Replies (1)

   


The phenomenal #1 Chinese bestseller, with over 3 million copies sold. This is a searing exploration of what makes a hero: a literary masterpiece, available in the English language for the very first time.

The boy grows up in a small village in south China listening to stories about the Colonel: some say he was a legendary army doctor during the war, some say he was a traitor to the Party, still others say he is a wicked sex machine. The stories are bawdy and mesmerizing, always larger than life. Yet in reality, the Colonel is just a middle-aged man who loves his cat. And why on earth does everyone call him 'the Eunuch'?

From these disparate sources, the boy tries to piece together who the Colonel really is, just as he himself grows up in a rapidly changing China. It is not until many years later, when the boy also becomes a middle-aged man, that he would look back and finally solve the puzzle.

The Colonel and the Eunuch is Mai Jia's first new novel in eight years and his most ambitious work to date. An exciting departure from spy thrillers, this is a coming-of-age story, a family saga, as well as a searing exploration of what makes a hero. The Colonel is Mai Jia's singular creation: an almost mythic figure shrouded in the tragedy of war and history, whose story will move even the most stone-hearted to tears.

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  The Heart Is the Size of a Fist (2021)
Posted by: Simon - 12-14-2025, 12:14 PM - Replies (1)

   



“A call to speak out about abuse and an invocation of healing... It is the quality of the writing, and its sophistication, that lifts this novel above most narrations of childhood trauma.”

— Henrietta Rose-Innes, author of Nineveh and Green Lion

“A gripping and deeply moving story of emotional survival.”

— S.J. Naudé, author of The Alphabet of Birds and The Third Reel


The Heart Is the Size of a Fist is a story of a boy’s complicated relationship with his violent, but charismatic, alcoholic father. The son, Paul, recalls periods that his parents reconciled, followed by times of desperate flight with his damaged mother. It is also a poignant coming-of-age and a coming-out tale as Paul discovers his identity. And a story of brotherly love, as he seeks to protect from harm his estranged half-brother — the only other person who can call that man ‘Dad’. 

Quote: Finn and I started to sleep together early in the year we turned fourteen. It was a great relief to us once this happened, once this was normalised, because our friendship had been suffering for some months – for more than a year, really – from a kind of undefined malaise. We had been inseparable since we were nine, when I arrived in Oudtshoorn from up north, but since the age of about eleven a tension started to emerge. There was no single reason for this; it was a confluence of many things.

On Finn’s side, with puberty came vast love and fumbling lust for anything female, a more gregarious personality – or rather, persona – and increased frustration with his own family’s poverty. Finn wanted to date, to go to school dances, to get new clothes – none of this was available to him, not really.

On my side, the elation at my father’s absence meant the arrival of a strange psychological stasis. In hindsight I know this was depression – and its twin: anxiety. Existentially, this manifested in a loss of religious faith, which, in turn, fed my anxiety, and was, in turn, fed by my bafflement about all matters sexual.

And so, those months between roughly the ages of eleven and thirteen were dark and lonely indeed. Finn and I were misaligned, in terms of how we positioned ourselves in the world, about what we wanted from the world, and about the certainties about ourselves that we were cultivating. Although we remained friends throughout, we were not, until just after our thirteenth birthdays, as close as we had been before.

Even when we did become closer once again, we steered clear of trying to align our developing expressions or definitions of what was real and true. When we started to sleep together, neither of us considered the sex we were having, and the sexual things we were doing, as real sex – and certainly not as romance.

We did not view ourselves as lovers, and we were not in love with each other. We loved each other, sure, and Finn saw us and what we did together as the expression of close friendship: guys helping guys out. In fact, most of his narrative was about the girls he so devotedly followed, and desired. His attraction to them was genuine, obsessive, powerfully sexual, and to this day I do not think of Finn as anything but rampantly, demonstrably heterosexual.

As for me, I was in firm agreement with Finn: we were guys helping each other out. I was not, I can honestly say, ever in love with Finn. I loved him then and I love him today, still. I see him as a generous boy, then man, who helped me out, and who helped himself out. The one anomaly in this was the cuddling: after our teenage acts (brief, but intense, and infinitely repeatable, in a single night) we would end up, naked, glistening, one boy’s head on the other’s stomach, or lying next to each other, talking, arms touching, or flung casually across the other’s body. There was an ease of being and of being with each other that was extraordinary.

Finn and I did not really discuss sexuality itself. We both knew that he was more exclusively into girls than I was. We knew of my little boy-crushes at school. We did not discuss any of this, not because we were too shy, or too unsophisticated to realise where our definitional selves were heading, but because all of that did not matter. On our weekend sleepovers we were simply alive in an undefined space. Now, I suppose, I can redefine it as ‘queer’, but back then such labels and the search for categorisation just never occurred to us.

As what we were doing with each other, and our friendship, was outside of the regular world, the things that Finn and I did with each other were also not viewed as cheating – nothing changed in our rhythms and ways of being together when Finn or I found girlfriends. Finn had a new girlfriend or crush every two months or so, with regular overlaps. I had fewer girlfriends, maybe two during all of high school, but the nature of my relationship with girls was more profound than Finn’s. Finn was in love with girls and wanted to sleep with them; I was in love with them too, genuinely, but had little erotic inclination.

This, however, did not reduce my feeling of closeness to them, and I was, I think, not a bad boyfriend. I lusted after boys, though, although I had little desire to actually get to know them. Girls I loved and wanted to know; boys I did not care for tremendously, in terms of actual conversation. Later on, this would evolve into a vague asexuality towards both sexes; women remain so much more interesting to me, though: them I can know and want to know and be comfortable with; men, I am not so sure. Bisexual I am not, definitely, neither in equal nor differentiated desire or action; to me, the term is mostly useless. If you pushed me now, for classification, I suppose queer would be the word that gets the firmest nod.

None of this was close to clear, back then. At school, the objects of my affection were few in number – nowhere near as many as Finn’s. For a year I desired Margaret, the pianist, in grade nine. In much of the following two years I was smitten with Cara, so beautiful, one year below me, and during my last year of school I adored Emma. Contemporaneously, though, across all of them and until the age of sixteen, my most prominent and venerated crush was a boy called Hugo.

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  Nikki - Killarney (2024)
Posted by: Simon - 12-14-2025, 12:11 PM - Replies (1)

   


Child protection worker Dana Gibson arrives in the sleepy rural town of Killarney with one goal in mind: locate the whereabouts of foster child Jayden Maloney and return him to care. What she isn't anticipating is an unexpected attraction to her colleague's younger brother, Sean, or to become embroiled in their simmering family feud. When criminal allegations surface against a member of the local parish and a police task force discovers an increase in drug trafficking across the border, Dana is forced to consider that Jayden's disappearance is not simply a case of a teen on the run. To complicate matters further, torrential rain causes the Condamine River to break its banks, and the town gets cut off. 

As Dana continues to ask questions, tensions peak with the rising flood waters and she soon realises that the tight-knit community is not all that it seems. Long-held secrets start to unravel and loyalties are questioned, forcing Dana to make a decision about who she can trust and how much she is willing to fight for what she believes in.

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