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Mary Renault was born in London, where her father was a doctor. She first went to Oxford with the idea of teaching, but decided that she wanted to be a writer instead, and that after taking her degree she should broaden her knowledge of human life. She then trained for three years as a nurse, and wrote her first published novel, Promise of Love. Her next three novels were written during off-duty time when serving in World War II. One of them, Return to Night, received the MGM award. After the war, she went to South Africa and settled at the Cape. She has traveled considerably in Africa and has gone up the east coast to Zanzibar and Mombasa. But it was her travels in Greece that resulted in her previous brilliant historical reconstructions of ancient Greece. The Last of the Wine, The King Must Die, The Bull from the Sea, The Mask of Apollo, Fire from Heaven, The Persian Boy, and The Praise Singer. In addition to the novels, she has written a biography of Alexander the Great, The Nature of Alexander.
Quote: Alexander The Great Trilogy
Fire from Heaven (Alexander the Great #1)
Alexander’s beauty, strength, and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle’s tutoring provoked his mind and Homer’s Iliad fueled his aspirations. Killing his first man in battle at the age of twelve, he became regent at sixteen and commander of Macedon’s cavalry at eighteen, so that by the time his father was murdered, Alexander’s skills had grown to match his fiery ambition.
The Persian Boy (Alexander the Great #2)
The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes-mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.
Funeral Games (Alexander the Great #3)
As Funeral Games opens, Alexander the Great lies dying. Around his body gather the generals, the provincial satraps and the royal wives, already competing for the prizes of powe and land. Only Bagoas, the Persian boy mourning in the shadows wants nothing. Tracing the events of the fifteen years following Alexander's death, Funeral Games sees his mighty empire disintegrate, and brings Mary Renault's Alexander trilogy to a dramatic close.
The Charioteer (1953 UK edition unabridged)
After enduring an injury at Dunkirk during World War II, Laurie Odell is sent to a rural veterans’ hospital in England to convalesce. There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience.
Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.
The Last Of The Wine
In The Last of the Wine, two young Athenians, Alexias and Lysis, compete in the palaestra, journey to the Olympic games, fight in the wars against Sparta, and study under Socrates. As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.
The Praise Singer
In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts.
Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.
The King Must Die (Theseus, #1)
The story of the mythical hero Theseus, slayer of monsters, abductor of princesses and king of Athens. He emerges from these pages as a clearly defined personality; brave, aggressive and quick. The core of the story is Theseus' Cretan adventure.
The Bull From The Sea (Theseus, #1)
This second instalment in the story of the legendary hero begins with Theseus' triumphant return from Crete after slaying the Minotaur.
Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra's jealous rage.
Piecing together the fragments of myth and using her deep understanding of the cultures reflected in these legends, Mary Renault has constructed an enthralling narrative of a time when heroes battled monsters and gods strode the earth.
The Mask Of Apollo
Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.
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