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  The Boy Who Lost His Face (1989)
Posted by: Simon - 12-16-2025, 04:19 PM - Replies (1)

   


“Glad to hear it,” said Roger. “My name is Frank. And this is George and Joe,” he said, pointing to Randy and Scott. “And that’s David,” he said, pointing at David.
David’s face flushed.
“A pleasure,” said Mrs. Bayfield. “I’m Felicia Bayfield.”
David wasn’t worried that Mrs. Bayfield knew his real name. As long as she didn’t know his last name. It was just that Roger had done that on purpose.
“Would you boys like some lemonade?” asked Mrs. Bayfield.
“Why, thank you, Felicia,” said Roger. “We just love lemonade. Don’t we?”
“I love lemonade,” said Randy.
David shrugged. “Sure,” he muttered, hoping that they’d change their minds and just drink the lemonade, then leave.
“Nothing like a cool glass of lemonade on a hot day,” said Scott.
It wasn’t a particularly hot day. They were all wearing jackets.
“There are some cups on the porch, if you would be so kind,” said Felicia Bayfield.
Roger and Randy headed for the porch, directly behind Mrs. Bayfield. David watched as they stomped through her small flower bed, crushing the flowers. He smiled at Mrs. Bayfield, trying to show her that he really didn’t mean her any harm.
“I hope the lemonade’s not too sour for you,” she said. “It’s homemade.”
“I like it sour,” said David, still smiling. He watched Roger whisper something to Randy as they got some Styrofoam cups out of a plastic bag on top of an ice chest.
Roger returned with four cups and set them on the small table. “I’ll pour,” he said, and picked up the pitcher of lemonade.
Randy remained behind Felicia Bayfield.
“I hope there’s enough,” she said. Her eyes were bright green and sparkling like the green eyes on the snake-head cane resting on her lap.
Randy took hold of the back of the rocking chair with both hands.
“Oh, there’s plenty,” said Scott.
“Now!” shouted Roger.
Scott grabbed the cane while at the same time Randy pulled the rocking chair all the way over.
Mrs. Bayfield cried out as she fell on her back in the chair. Roger poured the pitcher of lemonade over her face, turning her cries into sputters.
Her legs were sticking up in the air and pointed right at David. He found himself staring at the strangest underpants he’d ever seen—black-and-white-striped with red ruffles. They extended from above her waist down almost to her knees.
Roger hurled the empty pitcher at the porch. It crashed through her front window.
“C’mon, David,” yelled Randy, standing by the gate. “Before she puts a curse on us!”
Mrs. Bayfield slid backward out of the chair. She propped herself up on her elbows and looked at David looking at her.
He wanted to help her or at least tell her he was sorry, but he didn’t.
He flipped her off.

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  A Schoolboy's Diary and Other Stories (1920)
Posted by: Simon - 12-16-2025, 04:15 PM - Replies (1)

   


A Schoolboy's Diary  brings together more than seventy of Robert Walser's strange and wonderful stories, most never before available in English. Opening with a sequence from Walser's first book, "Fritz Kocher's Essays," the complete classroom assignments of a fictional boy who has met a tragically early death, this selection ranges from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to tales of devilish adultery, sexual encounters on a train, and Walser's service in World War I. Throughout, Walser's careening, confounding, delicious voice holds the reader transfixed.

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  The Captive of the Caucasus (1994)
Posted by: Simon - 12-16-2025, 04:11 PM - Replies (1)

   


Not a book actually. Short story most likely. Age of the young captive is not clear, I guess it is something around 16-18 years. The controversial theme in controversial place and time. A quite rare theme for Russian literature. Nevertheless this is a high literature of the famous writer. At the end of the book I added the original Russian text. 

"The Captive of the Caucasus", is the latest in a long line of stories, both literary and cinematic, which attempt to portray and even explain Russia’s long and still troubled relationship with its southern neighbors. At the same time, its depiction of the futility and tedium of war deliberately evokes not only the Vietnam film, but also works both of cinematic and literary traditions which stretch back to World War I, or even Tolstoi’s "Sevastopol Stories" (In fact, the film was shot in the Crimea). (And Pechorin was, of course, fighting Chechens in "A Hero of Our Time", as long ago as 1840.)

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  Ben - The Famished Road (1991)
Posted by: Simon - 12-16-2025, 04:06 PM - Replies (1)

       


The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. The life he foresees for himself and the tale he tells is full of sadness and tragedy, but inexplicably he is born with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute. The tension between the land of the living, with its violence and political struggles, and the temptations of the carefree kingdom of the spirits propels this latter-day Lazarus's story. 

Quote: The main characters of Ben Okri's novel The Famished Road move back and forth between the human and spirit worlds with the ease of urban commuters changing subway trains.
This novel, a winner of the 1991 Booker Prize, is a classic of magical realism with a distinctively African twist. Yet, departing from the more fanciful examples of this genre that we have encountered from South America and elsewhere, Okri offers his readers a ghost story in modern garb, with details that are more likely to unsettle than delight.

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  The Harrovians (1914)
Posted by: Simon - 12-16-2025, 04:03 PM - Replies (1)

   


First published as a novel in 1914, The Harrovians was based on Arnold Lunn's diary which he kept while he was a boy at Harrow School from 1902 to 1906. The novel was the first critical account of public school life to be published in Britain. The release of the novel had a considerable impact on readers because it provided a realistic and unsettling view of public school life. The novel stood in marked contrast to the rosy corpus of public school fiction and memoirs that had gone before. The Victorian and Edwardian public school system that existed was hitherto generally accepted as an indelible part of the education of an English gentleman. Until the publication of Lunn's novel, there had been no effective criticism of the reasons behind many of its rules and rituals. Lunn's novel broke new ground and helped unleash a wave of criticism aimed at reforming the public school system. The Harrovians — a controversial best-seller when it was first released — is a very engaging and well written story — one that richly deserves to be picked up and enjoyed by a new generation of readers.

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