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  And Then He Sang a Lullaby (2023)
Posted by: Frenuyum - 12-05-2025, 10:12 AM - Replies (1)

   


The inaugural title from Roxane Gay Books, And Then He Sang a Lullaby is a searingly honest and resonant debut from a 23-year-old Nigerian writer and queer liberation activist, exploring what love and freedom cost in a society steeped in homophobia.

August is a God-fearing track star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It’s his first semester and pressures aside, August is making friends, doing well in his classes. He even almost has a girlfriend. There’s only one problem: he can’t stop thinking about Segun, an openly gay student who works at a local cybercafé. Segun carries his own burdens and has been wounded in too many ways. When he meets August, their connection is undeniable, but Segun is reluctant to open himself up to August. He wants to love and be loved by a man who is comfortable in his own skin, who will see and hold and love Segun, exactly as he is.

Despite their differences, August and Segun forge a tender intimacy that defies the violence around them. But there is only so long Segun can stand being loved behind closed doors, while August lives a life beyond the world they’ve created together. And when a new, sweeping anti-gay law is passed, August and Segun must find a way for their love to survive in a Nigeria that was always determined to eradicate them. A tale of rare bravery and profound beauty, And Then He Sang a Lullaby is an extraordinary debut that marks Ani as a voice to watch. 

   

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  Will's Boy: A Novel (2023)
Posted by: Frenuyum - 12-05-2025, 10:08 AM - Replies (1)

   


Meet Chase an untamed, enterprising, stealthy scoundrel and a smart, sarcastic, irreverent rascal. He's Will's Boy: a cheat, liar, reliable confidant and good guy, busy coming-of-age in so many ways.

"A wonderfully written coming-of-age story. As Chase (the main character) grows up and encounters the opposite sex, questions about faith, and even matters of life and death, there's plenty of humor to leaven the weightier aspects of the story and contribute to making it such an enjoyable and thoughtful read." –Wendy Lee, author of Happy Family, Across a Green Ocean, and The Art of Confidence

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  Wayward Warriors (1970)
Posted by: Frenuyum - 12-05-2025, 10:02 AM - Replies (1)

   


Wayward Warriors is concerned with a mutiny on the Australian destroyer Jacaranda during World War II. A new commander, Hardridge, widely dubbed “The Fuehrer” for his ruthless ideas about the maintenance of discipline on ships, begins by studying the personnel files and soon learns that there is an incorrigible rebel and misfit, McCall, in the crew. Here indeed is a challenge to him. He knows how to deal with the McCalls of this world, despite the advice of his officers that a bit of tact instead of brutality will get him further.
McCall does prove incorrigible and spends most of his time under one sort of punishment or another. But the other men sympathise with him, not because of who he is but out of their intense dislike of Hardridge and his “gestapo” ways, a dislike that is shared by nearly all the officers. So general is the hatred that when Hardridge brings things to a climax by prohibiting sleeping on the decks in a very hot climate (to prevent homosexuality, as he thinks), mutiny breaks out.

"Homosexuality, lust, desire, brutality... ingredients that make Wayward Warriors  a book you'll never forget.
Meet McCall, the incorrigible rebel; Commander Hardridge, known to his men as "The Fuehrer"; and kid, the boy who could never make it with women but who was desired by the whole crew.
Wayward Warriors , a sensational novel of Australian fighting men at war - with the enemy and with themselves.

AUTHOR’S NOTE
Wayward Warriors is based on lesser known facts of life in the Royal Australian Navy in which I served. Names of ships and characters are fictitious but similar events and incidents did happen and those concerning mutiny and homosexuality were carefully ensconsed by those in authority.

Quote:
Noah Riseman is a Professor of History at Australian Catholic University.

ABSTRACT:
Until November 1992 the Australian military had longstanding rules against the presence of lesbian, gay and bisexual (LGB) service members. The policies and practices for dealing with LGB people varied across time and services, but one commonality is that rarely did cases go to court martial and were generally dealt with through administrative and other disciplinary processes. Yet, the rare cases which did go to court martial leave a hitherto overlooked archival trail that provides insight into how the Australian armed forces conceptualised and policed homosexuality within its ranks. This article examines data from courts martial in the Royal Australian Navy (RAN), focusing especially on cases from the period after the Second World War. Exploring three case studies, it shows how courts martial were not so much about policing homosexuality, but rather prosecuting unsolicited advances and incidents which breached the unspoken bounds of discretion


Conclusion: Why the court martial?

As this article has shown, courts martial represent a hitherto overlooked site to explore the ways that the Australian military perceived and policed homosexuality, as well as the behaviours of gay and bisexual service members. Courts martial were sparse, in part because authorities often turned a blind eye to homosexuality and in part because they often dealt with cases through other disciplinary and administrative means. Yet what stands out about the cases that did go to court martial is how the accusations were often grounded in a confrontation, an independent witness, and/or, most importantly, lack of consent. All of the cases arose when a witness reported the incident and sparked an investigation. This is important because the era before 1974 was, for men at least, not a time of witch-hunts. Military police were not searching for gay and bisexual men, but rather they only investigated and prosecuted when they came to authorities’ attention.
Given this context and how rare courts martial were for homosexuality, it was surprising to see how infrequent the convictions were. In other words, one might expect that the threshold of evidence to go to court martial would be so high that a guilty verdict would be likely. Yet, across the period 1912 to 1970 only ten men out of twenty-two had guilty findings (six of which were guilty pleas). In the post-Second World War era only three out of fourteen men had guilty findings, and even one of them was later quashed. This suggests that on top of the high threshold to go to a court martial, there was a substantially high standard of evidence needed for conviction. The only guilty cases were those where there was an independent witness who could corroborate the incident and/or if there were other physical evidence of a man’s homosexuality. This suggests that the very act of court martial was not just to punish for homosexuality, but rather for breaching the unspoken bounds of discretion and consent when it came to homosexual acts.

It would be interesting to see how the Navy data compares with the Army and RAAF, particularly as the new digital search opportunities lead to more of those courts martial files being open for access. As Matthew Barrett’s analysis of one Canadian court martial showed, each case opens a window into a service member’s life. There are further historical possibilities through exploring those members’ service records, repatriation files (where available) and records of civilian courts and  newspapers. The micro-histories of each court martial thus have the possibility of revealing not just military histories of sexuality, but also civilian social norms and historical life experiences for gay and lesbian people.
Wilson-Buford found that in the United States military, prosecutions for homosexual acts through courts martial reduced from the 1970s. This was because so many men were winning on appeal over matters like unreasonable searches, entrapment, prejudicial evidence and command influence. Courts martial and appeals proved long and costly, so there was a decline in courts martial and the American military increasingly dealt with most cases of homosexuality administratively. Australia similarly adopted a more administrative approach to dealing with homosexuality from 1974, but for different reasons: namely, authorities believed that offering an administrative discharge at one’s own request would be more “sympathetic” than a disciplinary process and dishonourable discharge. The rarity of the court martial was therefore no longer a reflection of tolerance, but instead a signifier of new mechanisms to drive gay and bisexual men and women underground and out of the Australian armed forces.

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  GraceLand (2004)
Posted by: Frenuyum - 12-05-2025, 09:59 AM - Replies (1)

   


**Graceland is a dazzling debut by a singular new talent**
The sprawling, swampy, cacophonous city of Lagos, Nigeria, provides the backdrop to the story of Elvis, a teenage Elvis impersonator hoping to make his way out of the ghetto. Broke, beset by floods, and beatings by his alcoholic father, and with no job opportunities in sight, Elvis is tempted by a life of crime. Thus begins his odyssey into the dangerous underworld of Lagos, guided by his friend Redemption and accompanied by a restless hybrid of voices including The King of Beggars, Sunday, Innocent and Comfort. Ultimately, young Elvis, drenched in reggae and jazz, and besotted with American film heroes and images, must find his way to a GraceLand of his own. 
Nuanced, lyrical, and pitch perfect, Abani has created a remarkable story of a son and his father, and an examination of postcolonial Nigeria where the trappings of American culture reign supreme. 
"A richly detailed, poignant, and utterly fascinating look into another culture and how it is cross-pollinated by our own. It brings to mind the work of Ha Jin in its power and revelation of the new."

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  Song for Night (2007)
Posted by: Frenuyum - 12-05-2025, 09:56 AM - Replies (1)

   


"Not since Jerzy Kosinski’s The Painted Bird or Agota Kristof’s Notebook Trilogy has there been such a harrowing novel about what it’s like to be a young person in a war. That Chris Abani is able to find humanity, mercy, and even, yes, forgiveness, amid such devastation is something of a miracle.”—Rebecca Brown, author of The End of Youth
"The moment you enter these pages, you step into a beautiful and terrifying dream. You are in the hands of a master, a literary shaman. Abani casts his spell so completely—so devastatingly—you emerge cleansed, redeemed, and utterly haunted."—Brad Kessler, author of Birds in Fall
Part Inferno, part Paradise Lost, and part Sunjiata epic, Song for Night is the story of a West African boy soldier’s lyrical, terrifying, yet beautiful journey through the nightmare landscape of a brutal war in search of his lost platoon. The reader is led by the voiceless protagonist who, as part of a land mine-clearing platoon, had his vocal chords cut, a move to keep these children from screaming when blown up, and thereby distracting the other minesweepers. The book is written in a ghostly voice, with each chapter headed by a line of the unique sign language these children invented. This book is unlike anything else ever written about an African war.
Chris Abani is a Nigerian poet and novelist and the author of The Virgin of Flames, Becoming Abigail (a New York Times Editor’s Choice), and GraceLand (a selection of the Today Show Book Club and winner of the 2005 PEN/Hemingway Prize and the Hurston/Wright Legacy Award). His other prizes include a PEN Freedom to Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California.
From Publishers Weekly
Starred Review. In his latest novella, Abani renders the inner voice of mute 15-year-old My Luck, the boy leader of a platoon of mine sweepers in an unnamed war-torn African country. When he was 12, the then volunteer rebel had his vocal cords severed (the rest of his team received the same treatment), so that we wouldn't scare each other with our death screams. At the opening of the novella, My Luck awakens after an explosion to find that he has been separated from his unit. During his journey to find his platoon, he reflects on the events of his violent life. Abani is unafraid to evoke My Luck's dark side, and though My Luck's experience with killing is a singular joy that is perhaps rivaled only by an orgasm, his stock-taking also touches on guilt at witnessing his mother's murder, ambivalence about his imam father and tenderness for Ijeoma, a girl in his platoon killed by a mine. Initially, the present-tense narration is at odds with My Luck's inclination toward memory and reflection, but the story becomes more immersive and dreamlike (and, strangely, lucid) over the course of My Luck's quest. Abani finds in his narrator a seed of hope amid the bleak, nihilistic terrain. (Sept.) 
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. 
From Booklist
Trained as a human mine detector, an Igbo boy soldier in West Africa witnesses and takes part in unspeakable brutality. His clipped, dispassionate narrative tells of mutilation, rape, massacre. But tells is the wrong word. He has not spoken for three years since, at 12, his vocal cords were deliberately cut so that he would not scream and give away his platoon's presence if he was blown up. After an explosion, he travels back in search of his comrades through abandoned villages and rotting corpses—and through his own memories. As he did in Becoming Abigail (2006), Abani, who was himself jailed and tortured in Nigeria, never backs away from a gruesome detail, but the gore is never sensationalized. The horror of what happens to this Igbo boy is intensified by his confusion and his tenderness. He remembers his mother taught him to crochet; she died hiding him. Ijeoma, the girl he loved, comforted him after he was forced to rape a captive. Then Ijeoma stepped on a mine. His words, "I miss her," say it all. Rochman, Hazel

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