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  Dark Room Etiquette (2022)
Posted by: Frenuyum - 12-03-2025, 11:09 AM - Replies (1)

   


SIXTEEN-YEAR-OLD SAYERS WAYTE HAS EVERYTHING. Popularity, good looks, perfect grades - there's nothing Sayers' family money can't buy. Until he's kidnapped by a man who tells him the privileged life he's been living is based on a lie. Trapped in a windowless room, without knowing why he's been taken or how long the man plans to keep him shut away, Sayers faces a terrifying new reality. To survive, he must forget the world he once knew, and play the part his abductor has created for him. But as time passes, the line between fact and fiction starts to blur, and Sayers begins to wonder if he can escape . . . before he loses himself.

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  Breaking Free (1933)
Posted by: Frenuyum - 12-03-2025, 11:04 AM - Replies (1)

   


Sweden in the late 1800s had been an impoverished, largely agrarian society where traditions and ingrained conservative attitudes remained unchanged for centuries. In this environment, reading for pleasure — let alone writing — was regarded at best as a useless pursuit that stole time from honest toil, and at worst as sinful. Fiction and poetry, after all, did not relate 'true' events, but were fabulations, lies.

The first decade or so of the new century, however, the period corresponding with the childhood and youth of most of these future authors, was a period of profound social change. The coming of urbanization and industrialization brought about the political rise of the socialist movement, which had a powerful effect even in agricultural districts since it emphasized solidarity among all working-class people. The socialist movement regarded the education of the masses as one of its major goals.

By promoting reading and discussion groups, it encouraged people to read and write; leftist newspapers, furthermore, were often willing to publish fiction and poetry by unknown or unpolished proletarian writers even if it was not directly polemic.

[ …]

In a broader sense, the powerful impact of this generation of writers in the 1930s, regardless of their specific party loyalties, corresponds with the rise to political dominance of the Social Democratic party during the same decade. The establishment of the Welfare State made possible an environment in which workers, and working-class writers, could become part of the mainstream.

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  Our Beautiful Boys (2025)
Posted by: Frenuyum - 12-03-2025, 11:01 AM - Replies (1)

   


'A profound meditation on class, privilege and masculinity' Observer
'An insightful, nuanced story ... I couldn't put it down' Charles Yu
'Timely and timeless ... A book about the lies we knowingly or unwittingly tell ourselves' New York Times
I know my son. I know what he is and what he's not capable of. 
Revelling in the triumph of a high school football win, MJ, Vikram and Diego find themselves at an ill-fated party, on a night that ends with the school bully in hospital. When no one comes forward with the truth of what actually happened, all three teenage “all stars” are suspended for the rest of the season, their futures suddenly uncertain. 
In the aftermath, the families gather to assess the damage to their children's prospects, their reputations and their own relationships. As other secrets begin to bubble to the surface, each parent attempts to navigate the crisis at hand, confronted with their own inner turmoil and the question none of them want to face: how well can you ever truly know your own child?Our Beautiful Boys is a page-turning and incisive novel about masculinity, race, education and privilege, and the conflict that arises when all these collide. 

Quote: Our Beautiful Boys by Sameer Pandya, Bloomsbury,

With a nod to E.M. Forster's A Passage to India, the drama in Sameer Pandya's Our Beautiful Boys proceeds from shadows in a cave. At an elite school in southern California, three highschool football stars with bright futures ahead of them face disaster after a night of violence. A confrontation in an ancient cave between MJ, Vikram and Diego and the bully and drug dealer Stanley Kincaid ends with Kincaid so badly beaten he's taken to hospital. The three boys are suspended, and we're swept into the world of the boys and their families, as the school and authorities investigate. Pandya's novel reminded me a little of Christos Tsiolkas' The Slap, in that the repercussions of a violent act bleed onto a social battleground. As we learn more about the Latino, Indian- American and privileged white families the boys grew up in, the novel becomes an elegant springboard for an examination - as meticulous as it is cleareyed - of the psychology and politics of race, wealth and masculinity in contemporary American education.

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  Lo-Johansson, Ivar - Godnatt, jord (1933)
Posted by: Frenuyum - 12-03-2025, 10:58 AM - Replies (1)

   


Godnatt, jord (1933) fick det sociala mörker som omgav statarna, vårt lantarbetarproletariat, att rämna. I dess obarmhärtiga ljus kunde man äntligen se hur stort förtrycket och armodet var. Rykande av verklighet skildrar romanen statarnas liv på ett gods i Sörmland – vardagsslit och fattigmiljöer, kuvad längtan och okomplicerad glädje. Ur det myllrande kollektivet framträder en rad enskilda människoöden med förunderlig närhet. Omkring dem alla doftar det sörmländska landskapet, lummigt av ekar, prunkande av vallmo. Den var 30–talets första statarroman.


Godnatt, jord är också den första och stilbildande av arbetarförfattarnas självbiografiska romaner – en berättelse om barndomens oändliga äventyr och ungdomens revolt. Godnatt, jord är både som socialt dokument och förblivande dikt en av de viktigaste böckerna från förra århundrade.

När Ivar Lo-Johansson dog 1990 efterlämnade han ett verk av enastående bredd och omfång.Han föddes i en släkt som under generationer hade varit lantarbetare på Södertörn i Sörmland. Efter en tid på folkhögskola och en rad olika kroppsarbeten i Stockholm, Frankrike och andra länder blev han författare.Hans första böcker var resereportage, men i det tidiga 30-talet återvände han till sin ursprungsmiljö och började skildra de svenska statarnas liv och arbete. 50-talet ägnade han åt en serie självbiografiska berättelser i åtta delar. Ett annat block i hans stora produktion är den s k passionssviten: novellböcker grupperade kring sju olika passioner och laster. I sjuttioårsåldern samlade han sig till sitt sista stora verk, en memoarserie i fyra band, inledd med Pubertet och avslutad med Frihet 1985, då författaren var över åttio år.Till hundraårsdagen av Ivar Lo-Johanssons födelse 1901 utges tre av hans mest lästa böcker. 


   

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  Was Five I Killed Myself (1981)
Posted by: Frenuyum - 12-03-2025, 10:54 AM - Replies (1)

   


Burton Rembrandt has the sort of perspective on life that is almost impossible for adults to understand: the perspective of an 8-year-old. And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt's story as written in pencil on the walls of Quiet Room in the Children's Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself....

In this rediscovered modern classic from "one of France's best-loved temporary writers" (Time), Howard Buten renders with astounding insight and wry language the tale of a troubled -- or perhaps just perfectly normal -- young boy testing the boundaries of love and life.

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