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  A Kid from Marlboro Road (2024)
Posted by: Simon - 12-10-2025, 04:56 PM - Replies (1)

   


An Irish-American family comes to life through the eyes of a 12-year-old boy in this debut novel by actor-filmmaker Ed Burns.

Immigrants and storytellers, lilting voices and Long Island moxie are all part of this colorful Irish-Catholic community in 1970s New York.


Our twelve-year-old narrator, an aspiring writer, is at a wake. He takes in the death of his beloved grandfather, Pop, a larger-than-life figure. The overflowing crowd — a sign of a life well lived — comprises sandhogs in their muddy work boots, Irish grandmothers in black dresses, cops in uniform, members of the family deep in mourning. He watches it all, not yet realizing how this Irish American world defines who he is and who he will become. His older brother Tommy has no patience for rules and domesticities, his father is emotionally elsewhere. This boy knows he’s the best thing his mother's got, though her sadness envelops them both.  

In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generation’s colorful sojourns in the Bronx and Hell’s Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk.

Edward Burns’s buoyant first novel is a bildungsroman. Out of one boy’s story a collective warmth emerges, a certain kind of American tale, raucous and joyous.

With eight pages of photographs of some of the people and historical locations that inspired characters and scenes in the novel.


Quote: Edward Burns is known for his work as an actor and filmmaker, and now he’s debuting his novel-writing talent in A Kid from Marlboro Road.

Set in the 1970s, A Kid from Marlboro Road follows an Irish-American family living on Long Island — elements inspired by Burns’s own childhood. This coming-of-age tale explores the impacts of family history, the growing independence in early adolescence, death and grief, and dynamic family relationships.

Burns tells the story through the eyes of a 13-year-old boy, Kneeney, who opens the tale at the wake of his beloved grandfather, Pop. The wake’s overflowing crowd of characters include sandhogs in their muddy work boots, elderly Irish women in black dresses, and cops in uniform.

Kneeney, an aspiring writer, weaves together stories about these characters and his immediate family: his older brother Tommy has no patience for rules and domesticities, and his father is emotionally elsewhere. His mother struggles with her own sadness, which threatens to envelop both her and Kneeney. Throughout Burns’s novel, Kneeney learns more about his family history while also experiencing more losses and a deepening understanding of the world around him.

Burns brings to life stories of characters based on his own childhood, portrayals of Irish-Americans who have inspired some of his films, and now, on the page.

Born in Woodside, Queens and raised on Long Island, Edward Burns has made fourteen feature films as writer-director-actor and starred in many films, including Saving Private Ryan. Burns’ first film, The Brothers McMullen, premiered in competition at the 1995 Sundance Film Festival, winning the Grand Jury prize. The film also won “Best First Feature” at the 1996 Independent Spirit Awards. In 2015, he published Independent Ed, an inside look at his two decades as a pioneer in independent filmmaking. A Kid from Marlboro Road is his first novel, based on his childhood memories and the Irish American communities of the Bronx and Long Island.

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  Jacques - Hei_Hsiang
Posted by: Simon - 12-10-2025, 04:53 PM - Replies (1)

   


In 1903 a scandal involving school pupils made him persona non grata in the salons of Paris, and dashed his marriage plans; after which he took up residence in Capri with his long-time lover, Nino Cesarini. He became a "character" on the island in the inter-war years, featuring in novels by Compton MacKenzie and others. His house, Villa Fersen, remains one of Capri's tourist attractions.

After his marriage plans were foiled, d'Adelswärd-Fersen remembered the island of Capri from his youth, and decided to build a house there. The island had already attracted other homosexual or bisexual visitors, such as Christian Wilhelm Allers, Somerset Maugham, E. F. Benson, Alfred Bruce Douglas, Robert Baldwin Ross, Oscar Wilde, Marcel Proust, Ada Negri, Friedrich Krupp, Norman Douglas, and Compton and Faith Mackenzie; and attracted many others during Adelsward's stay. He bought land at the top of a hill in the northeast of the island, close to where the Roman emperor Tiberius had built his Villa Jovis two millennia earlier. His house, initially called Gloriette, was eventually christened Villa Lysis (later sometimes referred to as Villa Fersen) in reference to Plato's Socratic dialogue Lysis discussing friendship (or, according to modern notions, homosexual love).

Villa Lysis is a notable building. Its style is described by some as "Liberty" but is not Liberty or Art Nouveau in the French manner but may perhaps be described as "Neoclassical decadent". The large garden is connected to the villa by steps leading to an Ionic portico. In the atrium a marble stairway with wrought-iron balustrade leads to the first floor, where there are bedrooms with panoramic terraces, and a dining room. The ground-floor sitting-room, decorated with blue majolica and white ceramic, overlooks the Gulf of Naples. In the basement there is a 'Chinese Room', in which opium was smoked.

Jacques d'Adelswärd-Fersen spent the rest of his life based in Capri, and died there in 1923 —allegedly by suicide achieved through drinking a cocktail of champagne and cocaine. His ashes are conserved in the non-Catholic cemetery of Capri. His friend, Nino Cesarini, returned to Rome.

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  Childhood in Edwardian Fiction
Posted by: Simon - 12-10-2025, 04:50 PM - Replies (1)

   


Childhood in the Edwardian period was a subject of deep concern,
fascination, and even obsession. Despite Romanticism’s idealization of the child and Victorian advances in education, it was the Edwardians who truly made the child central to ‘childhood’ and childhood
central to the Zeitgeist. Nowhere was this more evident than in
fiction. Edwardian novels and short stories focused on children to an extent not before seen, nor continued in the same way after the outbreak of World War I. Literary children were no longer merely
‘incipient adults’ (Keating 221), but were beings in their own right: imaginative, free, and distinct from adults. In the Edwardian period for ‘the first time it was widely recognized that children ... have
different needs, sensibilities, and habits of thinking; that they cannot be educated, worked, or  punished like adults; that they have rights of their own independent of their parents’ (Rose 178). Paternalistic ‘seen and not heard,’ ‘spare the rod and spoil the child’ notions of
childhood were being swept away and children became protected, longed for, and recognized as having their own needs and desires.

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  The Central Park Five (2011)
Posted by: Simon - 12-10-2025, 04:43 PM - Replies (1)

   


A riveting, in-depth account of one of New York City's most notorious crimes.


On April 20, 1989, the body of a woman is discovered in Central Park, her skull so badly smashed that nearly 80 percent of her blood has spilled onto the ground. Within days, five black and Latino teenagers confess to her rape and beating. In a city where urban crime is at a high and violence is frequent, the ensuing media frenzy and hysterical public reaction is extraordinary. The young men are tried as adults and convicted of rape, despite the fact that the teens quickly recant their inconsistent and inaccurate confessions and that no DNA tests or eyewitness accounts tie any of them to the victim. They serve their complete sentences before another man, serial rapist Matias Reyes, confesses to the crime and is connected to it by DNA testing.

Before the trial of the Central Park 5, Real Estate magnate, Donald Trump spent over $80,000 taking advertising in the NY Times, advocating the death penalty for the 5 teenagers. The now exonerated Central Park 5 spoke at the 2024 Democrat National Party Convention against Trump's racially charged attempts in 1989 to have these 14 and 15 year old black and latino boys executed for crimes they did not commit.

Intertwining the stories of these five young men, the police officers, the district attorneys, the victim, and Matias Reyes, Sarah Burns unravels the forces that made both the crime and its prosecution possible. Most dramatically, she gives us a portrait of a city already beset by violence and deepening rifts between races and classes, whose law enforcement, government, social institutions, and media were undermining the very rights of the individuals they were designed to safeguard and protect.


Quote: The Central Park jogger case was a criminal case based on the assault and rape of Trisha Meili, a 28-year-old, white woman who was jogging in the park, and attacks on eight other persons in the North Woods of Manhattan's Central Park on the night of April 19, 1989. Meili, an investment banker, was so injured that she was in a coma for 12 days. At the time of the first trial in 1990, The New York Times described the attack on her as "one of the most widely publicized crimes of the 1980s".

Attacks in Central Park that night were allegedly committed by around 30 teenagers, and police attempted to apprehend suspects. Meili was not found until 1:30 am, after which the police hunt intensified. Among other suspects, four African American teenagers and two Hispanic American teenagers were taken into custody. After lengthy interrogations, these six teenagers were indicted on May 10 on charges of assault, robbery, riot, rape, sexual abuse, and attempted murder relating to the attack on Meili and an unrelated man in the park. A seventh suspect was also indicted on these charges. (Two of the seven defendants made plea deals with the prosecution; they were dropped from the trial and later received lesser sentences.)

Prosecution of the five defendants was based primarily on confessions which they had made during police interrogations, which in some cases had proceeded for hours without parents or counsel present. They each later withdrew these confessions, pleaded not guilty, and refused plea deals. None of the suspects' DNA matched the DNA from two semen samples found on, and close to the victim, which both belonged to the same unidentified man, a fact stated by an FBI witness in the first of the two trials. There was no substantive physical evidence connecting the five teenagers to the rape scene, but each was convicted in 1990 of assault and other charges by juries in two separate trials. Subsequently known as the Central Park Five, they received sentences ranging from 5 to 15 years. Four of the defendants appealed their convictions, but these were affirmed by appellate courts. Four defendants served 6-7 years each; one, tried and sentenced as an adult, served 13 years in adult prison. Five other defendants had earlier pleaded guilty to charges related to other crimes against other victims that night, and received lesser sentences.

In 2001, Matias Reyes, a convicted murderer and serial rapist who was serving life in prison, confessed to officials that he had raped the female jogger. His DNA matched the two samples found on and near the rape victim, and there was other confirmatory evidence. He said he committed the rape alone. Reyes was not prosecuted for raping Meili, because the statute of limitations had passed. After an investigation by his office, in 2002 Robert Morgenthau, District Attorney for New York County, recommended that the convictions of the five men related both to charges for the assault and rape of Meili and other charges, be vacated. The court vacated their convictions in 2002, and the state withdrew all charges against the men.

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  A Perversion of Justice (2004)
Posted by: Simon - 12-10-2025, 04:39 PM - Replies (1)

   


The accused killers were children: 12-year-old Alex King and his brother Derek, one year older, the two youngest defendants ever to stand trial for murder in Florida’s history. The boys had already confessed to the brutal slaying of Terry King, their own father, who was beaten to death with a baseball bat on a November night on the outskirts of Pensacola. But in the course of the seemingly open-and-shut legal proceedings, a shadowy third player began to emerge. A convicted pedophile named Rick Chavis had befriended young Alex and was now, bizarrely, going to be tried separately for the same crime; a monstrous human predator who had seen two confused youths as perfect, easy prey.

A startling look inside one of the most fascinating cases of 2002––the murder of Terry King, the conviction of his 12 and 13–year old sons, and the pedophile who was accused of being an accessory. On November 26, 2001, Terry King was found dead in his recliner in his home in Pensacola, Florida. Though a fire had been set in an attempt to cover up the scene, the evidence was indisputable––he had been beaten to death with a baseball bat. Days later, King's two young sons, 12 and 13 and not even five feet tall each, were found hiding out in the mobile home of their close friend, Rick Chavis, a convicted pedophile who had recently become very close to 12–year old Alex. In parallel statements, Alex and Derek confessed to murdering their father, and soon, they became the two youngest people ever to stand on trial for murder in the state of Florida. But in a startling twist, the prosecution decided to do the unprecedented––try the boys for murder in one trial and Rick Chavis for murder in another, despite the boys' confessions. And in a case that gripped the state of Florida and hit headlines across the nation, convictions came down and were soon overturned. But in the end, the case became a series of missed opportunities, stunning reversals, and one of the most riveting true crime stories of the last decade.


                 

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