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  Up With the Sun (2023)
Posted by: Simon - 12-17-2025, 06:03 PM - Replies (1)

   


A WASHINGTON POST BEST BOOK OF THE YEAR • Through the curious life of Dick Kallman—a real-life celebrity striver, poisonously charming actor, and eventual murder victim—the unforgiving worlds of postwar showbiz and down-low gay sexuality are thrown into stark relief in this “page-turning blast” (James Ellroy, author of Widespread Panic)

"Engrossing…[A] keen portrait of 1980s New York…a pensive, often gorgeous depiction of…gay life in Manhattan before Stonewall and life on the cusp of the AIDS epidemic." — The Washington Post

Dick Kallman was an up-and-coming actor in the fifties and sixties—until he wasn’t. A costar on Broadway, a member of Lucille Ball’s historic Desilu workshop, and finally a primetime TV actor, Dick had hustled to get his big break. But just as soon as his star began to rise, his roles began to dry up and he faded from the spotlight, his name out of tabloids and newspapers until his sensational murder in 1980.Through the eyes of his occasional pianist and longtime acquaintance Matt Liannetto, a tenderhearted but wry observer often on the fringes of Broadway’s big moments, Kallman’s life and death come into appallingly sharp focus. The actor’s years-long, unrequited love for a fellow performer brings out a competitive, vindictive edge in him. Whenever a new door opens, Kallman rushes unwittingly to close it. Even as he walks over other people, he can never get out of his own way. 
As Matt pores over the life of this handsome could-have-been, Up With the Sun re-creates the brassy, sometimes brutal world that shaped Kallman, capturing his collisions with not only Lucille Ball, but an array of stars from Sophie Tucker to Judy Garland and Johnny Carson. Part crime story, part showbiz history, and part love story, this is a crackling novel about personal demons and dangerously suppressed passions that spans thirty years of gay life—the whole tumultuous era from the Kinsey Report through Stonewall and, finally, AIDS.

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  Sinister Street (first published 1913)
Posted by: Simon - 12-17-2025, 03:07 PM - Replies (1)

   


Sinister Street is a 1913-14 novel or bildungsroman about a young man's coming of age. The child of an unconventional love affair, Michael Fane grows up with more than his share of passion and ambition. His vague and beautiful mother drifts in and out of his life, and he passes from the care of a governess into the rougher discipline of a public school and then on to young manhood at Oxford. Attracted at first by the religious life, Micahel soon finds that London at the end of the nineteenth century offers more worldly diversions. It is as the result of a liaison with the fascinating and destructive Lily that he begins to see that his future lies in his own hands.

Sinister Street was first published in two volumes, the first in 1913, the second in the following year. Henry James, in a letter to Hugh Walpole, described it as “really a very interesting and remarkable performance… at one and the same time so extremely young… and so confoundingly mature.”
In an article, he named Compton Mackenzie as one of the four young novelists most likely to sustain the greatest traditions of English fiction.
Year by year the novel has sold steadily and established itself as one of the classics of its age. It is the story of a young man who passed through a public school and Oxford in the first decade of this century and whose experiences culminated in the byways of London, and it has been justly described by Mr. Frank Swinnerton as “the record of a departed generation”. But, while manners and conditions have changed, its appeal retains the same force for every succeeding generation, because the story is concerned with the perpetual problems of romantic youth.

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  Vestal Fire (first published 1927)
Posted by: Simon - 12-17-2025, 03:02 PM - Replies (1)

       


Picnics on Monte Ventoso, bacchanals in curious grottoes and an insatiable demand for malicious gossip are matters of course for the expatriate community on sublime Sirene, an island set in the glittering waters of the Salernian Gulf. The livelong day, Americans and British, poets, dry-as-dusts and studied eccentrics bask in the dolce far niente.

At the hub of this cosmopolitan throng lies the exotic Villa Amabile of the Pepworth-Nortons, Miss Virginia and Miss Maimie, whose enthusiasm for the mysterious but impeccably wealthy Count Marsac is of consuming interest to all (as is his dinner ‘couleur de rose’ replete with roast flamingo). The Count is not only outrageous but incorrigible, however, and a catspaw of rumour concerning his past soon becomes a whirlwind of controversy. The island can never be the same again.

Vestal Fire is an exuberant extravaganza, a glorious canvas of comic characters painted with Dickensian energy. Yet the longing for a lost idyll underlies the humour, and the novel is ultimately as moving as it is funny.

Quote:
It is an understandable weakness in young writers and a deplorable propensity in famous ones, to become personally verbose at the expense of the story. Both classes talk too much themselves and let their characters talk too little. Compton Mackenzie, who long ago won his laurels with "Sinister Street" and "Carnival," is unfortunately indulging himself in the prerogative of fame. In "Vestal Fire" he has a good story to unfold. It is a study in the disintegration of a colony of Americans and Europeans on a pleasant island in the Bay of Naples, brought about by the intrusion of an exotic French nobleman with Hellenic ideas. The book is worth reading, because Compton Mackenzie wrote it. Even at his worst there is a remarkable glamour about his style. But he very nearly ruins it by his tendency to write as though the story were being read aloud, while he stood by and interposed comments on the plot and added characterizations of the people in the story, of his own. With a classical island for a setting, the story is garlanded in classical quotations and allusions, but though the theme is itself rather classical, the point of view and the manner of telling are entirely British. Sirene is an island owned by Italy, which has gradually become a social league of nations, as foreigners who came to it for a week or two in the course of their travels have stayed on and settled, building themselves villas according to their means, with such flowery names as the Villa Decamerone, the Villa Amabile, the Villa Paradiso, the Villa Hylas, or the Villa Parnasso. English, French, Russians, Americans and Italians to varying degrees, they are living together in harmony when the story opens. In fact, the polite population of the island is about to honor a custom which has become a rite: Sunday afternoon tea at the Villa Amabile, the home of the Pepworth-Nortons. It is about the Pepworth-Nortons that the story revolves, and all the storms and stresses that are to come. There are two kindly spinsters, Miss Virginia Norton and Miss Mamie Pepworth-or perhaps it is the other way around-who have bracketed their names and devoted the afternoon of their lives after a long morning in Idaho to dispensing hospitality in Sirene. It is something more accurate than a figure of speech to say that the name of their friends is legion. The book is practically teeming with characters, and each one is portrayed at length. Mr. Mackenzie seems to have collected the acquaintances of a lifetime in this book. Whenever a new person is introduced to the story he pauses and delivers himself of a short biography of that person. These characterizations are written with the bright wit of malice and some of them are rather entertaining. But there are too many. Count Marnac, who is the villain of the piece, comes to Sirene at the invitation of the Pepworth-Nortons, who met him and were charmed by his gracious manners while on a classical pilgrimage. Every one on the island who is of any importance has been apprised of his coming. They have heard that he is extremely wealthy and charming. So they are all there to meet him at the Pepworth-Nortons. He is an instantaneous success on the island, from the moment of his arrival, accompanied by a handsome boy named Carlo-whose place in the story assumes a questionable aspect, soon enough. Count Marsac decides that he will live in Sirene. He will build himself a villa and meantime he will live in a rented one. There he gives elaborate entertainments of the most exotic sort, while the magnificent Ville Hylas is being built for him. Then, gradually, the poison in the story begins to work. There are stories about Marsac's androgynous propensities. Sirene is tolerant, though, and nothing is done. But other forces of dissension are at work. Some one discovers that the Count has a past. And the outcome is that Sirene is divided forever into two warring camps. As the years go on, the conflict becomes more and more bitter. It is a long conflict, beginning more than a decade before the war and lasting through it.

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Exclamation Laura Middleton_Her Brother and Her Lover
Posted by: Simon - 12-17-2025, 02:55 PM - Replies (1)

   



"The story of a man's sexual trysts with his girlfriend, then her younger brother, and then all three of them together. Explicit sex scenes without the cuss words; lots of coy, flowery euphemisms of intimate body parts and sexual activities ... oh, yeah, he also gets "seduced" by the girl's fiancé Not advised for children or people of high moral fiber (easily offended by depictions of moral depravity)."

Laura Middleton: Her Brother And Her Lover is an excellent example of Victorian erotica. A strict set of moral standards existed during the reign of Queen Victoria (1837-1901), although they were often hypocritically applied. This restrictive morality gave rise to a wide range of erotic literature that fascinates us to this day. Adults Only: An erotic classic that raises the temperature in the bedroom. You're certain to be fascinated by this story of sexual debauchery, secret trysts, and ... incest.  

Quote:After he had lain quiet for a little while, I felt his somewhat attenuated weapon slip out of me. He then turned himself round, presenting his buttocks to me and, still keeping his hold on my member which he had maintained during all his raptures, he gently drew me round also, nothing unwilling, and presenting his captive at the entrance to its destined prison, he opened the lips of his orifice as much as he could, and tried to get him in.

I was amused and delighted with his eagerness about it, but fearful of hurting him, I did not attempt to force my way in, until he asked me why I did not assist him in getting it farther in. I said simply because I was afraid that, as he had not tried it before, I might hurt him the first time, but that if he would allow me to try, I would endeavour to do it with as little suffering to him as possible. He at once told me to do anything I liked, that he could not expect me to allow him to enjoy himself within me again unless he reciprocated the pleasure and that he would willingly suffer any amount of pain to be permitted again to taste the delight he had already felt. I was in no way averse to take him at his word and accordingly set to work. As he gave me every facility, I was enabled with the aid of a little cold cream to make my way in with less difficulty than I had expected. My first penetration no doubt hurt him a little, but he bore it manfully and urged me to proceed till, to my infinite delight, I was fairly lodged within him up to the hilt. The avenue was as tight and delightful as possible, but it was of that charming elasticity which yielded sufficiently to admit the invader, and at the same time pressed upon him with that degree of force which occasioned the most consummate voluptuous gratifications. As soon as I was fairly in, all annoyance seemed fairly at an end and, judging from the rise of his thermometer which I held in my hand, there succeeded an increase of the pleasure heat which I had hardly anticipated. The result was that eagerly availing himself of the lessons I had given him, he set to work so deliciously and exerted himself so much to promote my pleasure that in spite of my efforts to prolong the enjoyment, he drew down from me in a very few minutes the first flow that had saturated his virgin premises.

After some little fondling of each other he again wished to repeat the operation. I told him I was afraid of his exerting himself too much, and proposed that we should put it off till morning, but he would not be satisfied with this, and urged me to comply by appealing to an argument the strength and beauty of which I could not withstand. Again this fascinating charmer was plunged into my interior with the same lascivious results and again I was rewarded for my compliance by the full enjoyment of his delicious charms, and after we had each thus attained again to the height of felicity we fell asleep locked in a close embrace.

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  The Map of William (2023)
Posted by: Simon - 12-17-2025, 02:47 PM - Replies (1)

   


Western Australia, 1909. William Watson’s beloved father is set on an expedition to the north-west to map water sources in the Pilbara. Invited along, fifteen-year-old William embarks on the outback journey of a lifetime. At sea and on land, William will forge lasting friendships with his fellow travellers, and transform his relationship with his father as together they face the darkness in some men’s hearts – including the cruel and vengeful Sergeant Jardine.

Quote:Mrs Hansford will send my sketchbook to Old Fremantle on the next camel train. It has become tattered from our constant packing but I have done my best to keep it safe. I have another to replace it, a generous gift from Mrs Hansford. If it arrives before our return, please open it, Mother. You have my blessing. No doubt our Tommy will have a thousand questions and I have made notations to accompany each sketch. (For your sanity, Mother and for peace and quiet if nothing else.)
Please tell our Annie that she is ever my little sister, and our Rebecca that Donal is a fine companion. Tell our Tommy that he has a kind and generous heart, and our Meg and James to name their child Emilia. When our Robert is alone, please tell him that I could not wish for a better friend or brother.
To you, my dear mother, do not worry. I have five men in our company who fuss as you do and keep my feet planted firmly on the ground.
Your loving son
William

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